Wednesday, March 11, 2009

How 2 ...delay sending Outlook e-mail messages

By Etan Horowitz
The Orlando Sentinel
(MCT)
Have you ever realized after you sent an e-mail that you said something in it you shouldn't have or there was a major typo? You could try to recall the message in Microsoft Outlook, but that rarely seems to work.
A better option might be to defer delivery of your messages by a few minutes so you give yourself a chance to fix any errors or career-ending mistakes. Kudos to thehowtogeek.com for pointing this out.
1. In Outlook, choose "Rules and Alerts" from the "Tools" menu and click on "New Rule."
2. Select "Start from a blank rule," "Check messages after sending" and then click "Next." In this screen, you can set conditions for the messages you want to delay sending. For instance, you might only want to delay sending messages to your boss. To do that, set the appropriate condition and then click "Next." To delay delivery of all your messages, just click "Next."
3. Check the box next to "defer delivery by a number of minutes" and click on the underlined words below to set the number of minutes you want to delay sending your messages. Continue clicking "Next," give your rule a name and then click "Finish."
4. Your rule is now active. The next time you hit Send, your message will be placed in your "Outbox" and will be sent when the specified number of minutes is up. If you notice a mistake, you can go into the message, modify it and hit "Send." You can also delete the message from the Outbox, which will prevent if from being sent (if you do it in time).
5. If you want to turn this rule off, or modify the messages that it applies to, just go back into "Rules and Alerts" in the Tools Menu.
(Etan Horowitz is the technology columnist for the Orlando Sentinel. He can be reached at ehorowitz@orlandosentinel.com.)
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© 2009, The Orlando Sentinel (Fla.).
Visit the Sentinel on the World Wide Web at http://www.orlandosentinel.com/.
Distributed by McClatchy-Tribune Information Services.

iLife upgrade makes photos, videos fun

By Etan Horowitz
The Orlando Sentinel
(MCT)
One of the main reasons people buy Apple computers is because they come with fabulous software for managing your photos and creating movies.
But the curse (or blessing?) of owning Apple products is that there's always a newer version right around the corner. For most people, it generally doesn't make sense to upgrade your iPod, iPhone or Apple computer when a new one is released. But software is a different story.
In January, Apple released iLife '09, a $79 suite of applications that includes the latest versions of iPhoto, iMovie, GarageBand, iWeb and iDVD. It also comes pre-installed on all new Macs.
If you are a heavy iPhoto and iMovie user, the upgrade is worth it. The iPhoto enhancements make organizing, viewing and sharing your photos easier and more fun, and the new iMovie has more professional editing tools. You must have the Leopard operating system to upgrade to iLife '09.
I'm going to focus on iPhoto and iMovie because those are the most widely used, according to Apple.
Face time iPhoto '09 gives you two new ways to group your photos: based on who is in the picture and where it was taken.
When you first launch it after you upgrade, the program will go through all of your photos and find the faces in each one. This takes a long time, about a second or two per photo, according to Apple. Once it's finished, you open up a photo and identify some of the faces by clicking on "Name." A picture of each person you identify is added to a corkboard in the "Faces" section of iPhoto. Double clicking on a face on the corkboard will bring up a bunch of other photos that iPhoto thinks contain that same person. By confirming which ones are actually that person, you help iPhoto's face detection software get better.
The face detection is pretty accurate, but it's not perfect. For instance, it thought that pictures of my brother or my mom were me and that two unrelated people were the same person, presumably because they both had glasses. I was impressed that the software was able to correctly identify pictures of my relatives and me when we were children. Apple says you'll get better results if you "seed" the face detection by identifying more than one photo of the same person.
Going through this somewhat tedious process gives you a fun and new way to look through your photos. If you are making a slideshow or photo book and you know you want to include certain people, instead of having to look through different collections, you can instantly pull up every photo in your collection that includes that person.
Uploading
In the past, you had to download a separate plug-in to iPhoto to upload photos directly to Facebook. Now the ability to upload to the social networking site is built right into iPhoto. When you upload your photos directly to Facebook, the album title, captions and names of the people you have identified are all automatically added in Facebook and the photos can be automatically "tagged." Changes in Facebook (such as someone tagging himself) are automatically made in iPhoto as well, which saves you some time.If you have an iPhone or a GPS enabled camera, iPhoto automatically detects where the photo was taken and labels each photo accordingly. You can see a map plotting the locations of your photos and you can organize and search by photo location. If you don't have an iPhone or GPS enabled camera, you can manually add locations to individual photos or collections of photos.
iPhoto also now lets you upload your photos directly to photo-sharing site Flickr. The places you've added to your photos will appear on your Flickr map (you have to enable this in preferences) and like Facebook, changes you make in Flickr are automatically synced so both collections are the same. You can also use places to make new travel themed photo books that display a map tracing your trip alongside your photos.
Making movies
Apple overhauled its iMovie program to help make your movies look even better. Probably the best feature is "video stabilization," which makes shaky video play back smoothly. It takes a long time to work, but it's worth it. iMovie isn't as easy to use as iPhoto, but it lessens the need for a more advanced video editing program such as Final Cut Express. Now it's easy to do things like speed up or slow down clips or take the audio from one clip and lay it over the video from another. There are lots of cool new transitions, titles and effects and themes. If you like to create digital media from your photos and videos, iLife '09 is a worthwhile investment.
(Etan Horowitz is the technology columnist for the Orlando Sentinel. He can be reached at ehorowitz@orlandosentinel.com.)
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© 2009, The Orlando Sentinel (Fla.).
Visit the Sentinel on the World Wide Web at http://www.orlandosentinel.com/.
Distributed by McClatchy-Tribune Information Services.

Newspapers make move to online only

By Eric Pryne
The Seattle Times
(MCT)
SEATTLE _ If the Seattle Post-Intelligencer stops publishing in print but stays alive in some form online _ as now seems likely _ it won't be the first daily newspaper to make the move.
Over the last 15 months, two failing Midwest papers have taken similar leaps.
On the last day of 2007, media giant E.W. Scripps shut down the shrinking Cincinnati Post and Kentucky Post, a zoned edition that served the city's Northern Kentucky suburbs.
A day later it launched KyPost.com, with a veteran Post editor as managing editor.
In Madison, Wis., the struggling afternoon Capital Times halted daily print publication last April and unveiled a beefed-up Web news operation. It also started two new weekly tabloid print publications.
The P-I seems poised to make a similar break with the past. Owner Hearst Corp. put the money-losing paper up for sale in January, saying it would close it unless a buyer emerged in 60 days. A sale is considered highly unlikely. But Hearst also said the P-I might re-emerge an online-only publication. And last week, with the 60-day deadline nearing, it quietly began offering a few P-I staffers jobs with a new Web venture.
Hearst won't say anything about its plans.
The Cincinnati and Madison online newspapers emphasize what's local. Both contain familiar newspaper content, such as obituaries and high-school sports results. The Wisconsin site even has comics.
Both sites report significant increases in traffic. The Capital Times' owners say the move to digital should result in cost savings of $3.5 million to $4 million in 2009. A Scripps vice president says KyPost.com should break even this year.
But neither is a stand-alone venture. Both have relationships with traditional media outlets _ a television station in Cincinnati, the remaining print daily in Madison _ that effectively subsidize the fledgling Web operations.
In Seattle, by contrast, seattlepi.com apparently would be flying solo.
CINCINNATI
The Cincinnati/Kentucky Post died when the joint-operating agreement that linked it to the dominant, morning Cincinnati Enquirer expired at the end of 2007. Under the JOA _ similar to one that links the P-I with The Seattle Times _ the two papers maintained competing newsrooms, but the Enquirer handled the business operations for both and the publishers split the combined profits.
The Post's weekday circulation had plummeted _ from 188,000 in 1977 to just 27,000. Scripps concluded the Post couldn't be sustained outside the JOA.
But the Kentucky Post's brand was strong in Northern Kentucky, says Adam Symson, vice president of interactive for Scripps' television group. With the paper's demise the company saw a news and advertising niche an online product might fill.
Plus a Kentucky-focused online operation could piggyback on Scripps' Cincinnati television station, WCPO. "That was fundamental to the launch of KyPost.com," Symson says.
The Web site operates out of WCPO's offices. TV station employees sell its ads and run its servers. Stories from the TV station's Northern Kentucky reporter are posted on the site, which Symson says is promoted regularly on WCPO's newscasts.
Those synergies allow Scripps to keep KyPost.com's costs low.
Managing Editor Kerry Duke doesn't dispute that the news staff is bare-bones. Besides him, there's just one other full-time journalist, a Web producer/reporter, plus two interns and about five sports freelancers. Before it closed, the Cincinnati/Kentucky Post newsroom had 50 employees.
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But Duke says he has a "very handsome freelance budget, and I've got the resources of a TV newsroom at my disposal."
KyPost.com emphasizes breaking news. During one week last month its sole reporter was blogging from a big murder trial. Most of the site's other featured stories were from wire services.
"Honestly, I don't pay much attention to KyPost.com," says Ben Kaufman, media critic with the Cincinnati alternative paper CityBeat. "They do so little original reporting."
But Symson says the site doesn't strive to do everything the Kentucky Post did: "I don't know if I would characterize what KyPost.com does as an online newspaper. I'd call it an online news and information resource."
KyPost.com is a startup business, says Duke. "As we grow revenue, we'll develop the site more."
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MADISON
The Capital Times is a more ambitious enterprise.
The size of its news staff is down more than one-third from its print days. Still, it employs about 40 journalists _ editors, columnists, beat reporters, photographers, sports writers, critics.
But editor Paul Fanlund says there's no way the online and remaining print ad revenues would support a staff that big. It's possible only because for 60 years the Times has been part of what amounts to a JOA with Madison's remaining print daily, the morning Wisconsin State Journal.
The family-owned Times gets half the combined profits while generating only a small fraction of the combined revenues.
The Journal subsidizes the Times, Fanlund acknowledges, "but they've been doing it for 30 years. And the subsidy is less substantial now (since the Times went primarily online) than it's probably ever been."
By the time the Times stopped publishing daily in print last April, its weekday circulation had dwindled to just 17,000, while the Journal's stood at 89,000.
The line between the two papers has blurred since the Times moved primarily online. Its two weekly print tabloids _ one focusing on news and opinion, the other on arts and entertainment _ are inserted in the Journal.
Each publication's Web site links to some stories from the other. Sports reporters from both collaborated on a blog from the state high-school wrestling tournament last month.
At first, Fanlund says, the online Capital Times tried to be "a CNN for Madison," emphasizing breaking news.
There's still plenty of that on the site. But Fanlund says he's pushing the online Times to become "a more substantial, magazine-type publication," with at least one good long-form read every day plus lots of opinion and commentary.
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Sue Robinson, a journalism professor at the University of Wisconsin-Madison who has followed The Capital Times' transformation, says it's too soon to say whether the move online will succeed.
The site's economic fate may continue to be linked to the Wisconsin State Journal's, and that paper's owner, Iowa-based Lee Enterprises, is teetering on the edge of bankruptcy.
The online Capital Times has more Q&As, more profiles, more issue stories and less meeting coverage, Robinson says. Most beat reporters blog, which creates a greater sense of informality.
But giving up daily print publication hasn't been easy for the paper's staff _ or its readers, she said in an e-mail. "The company continues to struggle with a perception in the community that it has died."
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OTHER PAPERS DE-EMPHASIZING PRINT, EMPHASIZING WEB
_East Valley Tribune: Daily paper in Phoenix suburbs cut print publication to four days a week in January while continuing to publish daily online.
_Detroit Free Press/Detroit News: Partners in a joint-operating agreement are scheduled this month to cut back home delivery of print papers to three days a week while beefing up online presence.
_Christian Science Monitor: National paper plans to stop publishing daily in April, replacing it with weekly print magazine and daily subscription-only online edition.
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© 2009, The Seattle Times.
Visit The Seattle Times Extra on the World Wide Web at http://www.seattletimes.com/
Distributed by McClatchy-Tribune Information Services.

'Digital living room' getting closer

By Troy Wolverton
San Jose Mercury News
(MCT)
SAN JOSE, Calif. _ The digital living room is still under construction, but consumers can now get a glimpse of what it might look like.
The electronics industry has long dreamed of giving consumers on-demand access in their living rooms to a universe of movies, music and other entertainment content and information at the touch of a button. Recent announcements from electronics companies, Hollywood studios, Internet firms and cable networks suggest that dream is becoming a reality.
"The vision is coming together," said Van Baker, an analyst with Gartner, a technology research firm.
Here are developments announced just last week:
Silicon Valley startup Roku announced it is teaming up with e-commerce giant Amazon.com to allow owners of its digital video player to rent or buy movies and TV shows from Amazon. The 40,000 on-demand videos from Amazon are in addition to the 12,000 videos from Netflix that Roku video player owners could already choose from.
Valley startup ZillionTV unveiled a service and device that it will introduce later this year. The company, which is backed by five of the six biggest Hollywood studios, plans to offer a free set-top box, to be distributed by Internet service providers, through which consumers will be able to watch about 15,000 videos on-demand.
Time Warner revealed a plan dubbed "TV Anywhere" that would allow cable and satellite TV subscribers to watch on computers or other Internet-connected devices all of the programming they get on their televisions.
With all the recent changes, "it's just become amazing to watch this space," said Kurt Scherf, vice president and principal analyst at Parks Associates, a research and consulting firm.
To be sure, few folks are living in anything close to the digital living room today. Thanks to high costs and resistance to adding another box to their living room entertainment centers, consumers have been reluctant to buy the devices offered to date. And those gadgets still fall short of delivering the unlimited content envisioned for the digital living room.
Baker thinks the true digital living room may still be five years or so from reality.
But electronics and content companies seem to be learning from past mistakes, and in doing so, helping to bring that day closer. Meanwhile, their efforts are pressuring traditional pay TV service providers _ from whom the large majority of Americans receive their video content _ to respond with more on-demand services and digital living-room type services.
The first iterations of digital living room products were often tied to consumers' computers. Either consumers had to connect a device to their computers over a local network to access movies or photographs that were stored on the PC, or they had to plug their PCs directly into their TVs. Both methods proved a hard sell.
More recently, electronics companies have been releasing devices that bypass the PC altogether in delivering digital content to the TV. Roku users, for instance, can order a video from Amazon directly from their couch. The Yahoo widgets on new TVs are designed to be accessed with a remote control, not a keyboard, without ever turning on a PC.
Rather than just having access to locally stored movies and music, devices are now being built around the "cloud media concept," noted Scherf, and can access "all kinds of content ... over the Internet."
The cloud concept has another advantage _ it can be cheaper. Because all the content is stored on the Internet, devices don't have to include a potentially pricey hard drive. Roku is offering its device for just $100. ZillionTV plans to charge customers a one-time fee for its device that's even cheaper.
Another theme of the emerging digital living room is lots of options _ not just in content but in devices.
Consumers can now get on-demand video on a range of gadgets: on their PC through Web sites such as Hulu; on their smart-phone; in the living room through their cable set-top box; on game systems such as Microsoft's Xbox 360; on multi-function media devices such as Apple TV and inexpensive video players like Roku's.
Consumers also have an increasing number of choices about how to "purchase" the media they consume. They can rent or buy videos a la carte from Amazon, Apple's iTunes and similar services and watch them on devices such the Roku player, TiVo or Sony's PlayStation 3.
With an Xbox 360, an LG Blu-ray player or the Roku device, they can watch as many digital videos as they want for a monthly subscription fee from Netflix. Or, under ZillionTV's model, they can watch shows for free _ as long as they agree to watch some targeted advertisements.
"We're seeing experimentation, which is good," said Ben Bajarin, an analyst with Creative Strategies, a technology consulting firm. "I don't think any of the solutions nail it on the head, but we're starting to get closer."
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© 2009, San Jose Mercury News (San Jose, Calif.).
Visit Mercury Center, the World Wide Web site of the Mercury News, at http://www.bayarea.com/mld/mercurynews
Distributed by McClatchy-Tribune Information Services.
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ARCHIVE ILLUSTRATION on MCT Direct (from MCT Illustration Bank, 202-383-6064): NETWORK ILLUS

Teenagers see serious consequences of ‘sexting'

By Bianca Prieto
The Orlando Sentinel
(MCT)
ORLANDO, Fla. _ After his former girlfriend taunted him, Phillip Alpert remembered the nude photos she e-mailed to him while they were dating.
He took revenge with an electronic blast _ e-mailing the photos of the 16-year-old girl to more than 70 people, including her parents, grandparents and teachers.
Three days later, Alpert, then 18, was charged with transmitting child pornography. Today Alpert is serving five years of probation for the crime, and he is registered as a sex offender _ a label he must carry at least until he is 43.
"I didn't know how bad of a decision it was," Alpert, now 19, said recently at his MetroWest apartment. "I don't think it's fair."
Alpert is one of many people across the country who are being charged with felonies and getting sentenced as sex offenders for doing something their friends do all the time, unaware of potential criminal charges.
One national study found that as many as 20 percent of teens have sent or posted nude or seminude photos of themselves in what has become known as "sexting." Young teens are using high-tech phones to text, post or e-mail racy photos _ technically child porn. Most do it for fun.
But getting caught means being kicked off sports teams and facing expulsion from school. Others are going to jail.
"It's become a troubling trend," said Marisa Nightingale, senior adviser for the National Campaign to Prevent Teen and Unplanned Pregnancy, which conducted the study. "Since the beginning of time, teens have flirted with each other and pushed the envelope. But 10 to 15 years ago, it didn't go global in 30 seconds."
Lawrence Walters, an Orlando attorney who practices First Amendment and Internet law, has been following the sexting trend as it has been emerging across the country.
"It's a new phenomena," Walters said. "Kids shouldn't be doing this _ shouldn't be engaging in this type of behavior. But using these harsh criminal laws for child pornography is a bit of overkill."
Just last month, a 15-year-old Pennsylvania girl was charged with creating child pornography for sending images of herself via MySpace to a 27-year-old man.
Also last month, a Brevard County, Fla., teen was jailed after forwarding a cell phone picture of his 16-year-old ex-girlfriend's naked breasts to another teen. The girlfriend allowed the photo to be taken while the two were dating, police said.
Bryce Dixon, 18, told investigators he sent the photo because he thought the girl had cheated on him with his best friend. He said he knew that sending the photo would make her mad.
A judge set Dixon's bond at $140,000 for charges he faced, including transmission of child pornography. Dixon, who remains in jail, and his family declined to talk to the Orlando Sentinel. In an interview aired Tuesday on NBC's "Today" show, he said he made a stupid decision.
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Some states are trying to adjust the laws to deal with the problems of transmission of intimate photos of teens to teens, Walters said. But it hasn't been an issue debated by state lawmakers in Florida, said Republican state Rep. Pat Patterson.
Law enforcement officers have their hands tied when it comes to recommending charges to the State Attorney's Office in these types of cases, said Orange County Sheriff's Office spokesman Deputy Carlos Padilla.
"They don't have a choice because of how the statute reads. Regardless of the situation, the law dictates the charges, and they have to register as a sexual offender," Padilla said.
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The consequences of sexting are unpredictable.
An Ohio teen hanged herself in May after her ex-boyfriend forwarded nude photos of her, sharing them with other high school girls.
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Even teen celebrities have been caught in sexting scandals.
In September 2007, nude photos of Disney's "High School Musical" star Vanessa Hudgens surfaced on the Internet. The photos were alleged to be self-portraits taken with Hudgens' own cell phone and sent to her boyfriend, co-star Zac Efron. She later apologized for the photos, according to numerous news reports.
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Nightingale, with the advocacy group, said such cases should put teens and parents on alert.
"If that guy who you used to trust all of a sudden shares it, you have no control over it," Nightingale said. "If you regret it and change your mind, there is nothing you can do about it, or very little you can do about it."
For Alpert, he never asked for the photos that got him in trouble in 2007. He met the girl at a church function in 2005 and dated her off and on for about 2½ years, he said. At one point the girl took nude photos and videos of herself and sent them to his e-mail.
He tried using them against his ex-girlfriend with the mass e-mail after she called him and said she was much happier without him.
Although Alpert was charged with transmission of child pornography, the girl was never in any legal trouble. She did not respond to requests for interviews with the Sentinel.
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Since his arrest and conviction, Alpert's life has been difficult.
Classmates at Ocoee High School teased him unmercifully, sending him into a depression that caused him to miss class and avoid his graduation last year. He lost friends because "they just don't want to be friends with a sex-offender kid," Alpert explained.
He said he was kicked out of Valencia Community College in September because he's a sex offender. Neighbors have knocked on his door after finding him in the sex-offender database and asked him what he's done.
Alpert's mother moved out of state after he graduated, but the conditions of his probation don't allow him to leave Orange County without permission. He can't live with his father in Ocoee because the house is too close to a school, Alpert said.
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Every Wednesday he attends a class for sex offenders where he is joined by people who have raped and molested children. He's not like them, Alpert said, but the law says he is.
His advice to other teens tempted by sexting: "Don't do it. It's stupid."
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Although technological advances are helping bring people together, they also are causing new problems for teens and parents. The National Campaign to Prevent Teen and Unplanned Pregnancy has compiled a list of tips for parents and teens to help navigate this new virtual world and set rules and guidelines.
TIPS FOR PARENTS
_Talk to your kids about what they are doing in cyberspace.
_Know with whom your kids are communicating.
_Consider limitations on electronic communication.
_Be aware of what your teens are posting publicly.
_Set expectations and make sure you are clear about what you consider appropriate electronic behavior.
TIPS FOR TEENS
_Don't assume anything you send or post is going to remain private.
_There is no changing your mind in cyberspace _ anything you send or post will never truly go away.
_Don't give in to the pressure to do something that makes you uncomfortable.
_Consider the recipient's reaction.
_Nothing is truly anonymous.
Source: National Campaign to Prevent Teen and Unplanned Pregnancy
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SEXTING STATISTICS
A recently released study of teen and young adults' behavior online was conducted by the National Campaign to Prevent Teen and Unplanned Pregnancy, a Washington-based advocacy group founded in 1996. The online survey, taken by 1,280 people ages 13 to 26, shows about 1 in 5 teens has sent or posted nude or seminude photos of themselves. This was the first public survey of its kind in the nation. To read the report, go to www.thenationalcampaign.org. Some of the findings:
How many teens say they have sent/posted nude or seminude pictures or videos of themselves?
_20 percent of teens, 13 to 19
_22 percent of teen girls
_18 percent of teen boys
_11 percent of teen girls, 13 to 16
Why are teens sending or posting sexually suggestive content?
_51 percent of teen girls say they feel pressure from a guy.
_18 percent of teen boys say they do it because of pressure from girls.
_23 percent of teen girls say friends pressured them.
_24 percent of teen boys attribute sending images or messages to peer pressure.
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© 2009, The Orlando Sentinel (Fla.).
Visit the Sentinel on the World Wide Web at http://www.orlandosentinel.com/.
Distributed by McClatchy-Tribune Information Services.
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PHOTO (from MCT Photo Service, 202-383-6099): SEXTING

Tuesday, March 3, 2009

Paying Their Respects

*Click here for a photo gallery from TheMatadorOnline.com
BLUE POINT – Thousands of police officers from across the tri-state area came to Blue Point Thursday to remember Suffolk County Police Officer Glen Ciano, killed in the line of duty early Sunday morning.

Police say Police Officer Glen Ciano was enroute to assist another officer around 4:15 a.m Sunday. At the intersection of Vanderbilt Motor Parkway and Commack Road in Commack Officer Ciano's vehicle was involved in a crash with a 2007 Dodge Magnun.

Ciano, 45, was a 22-year veteran of the Suffolk County Police Department. He worked out of the county's Second Precinct.

Officers in full dress uniforms could been seen for as far as the eye could see outside Our Lady of Snow Roman Catholic Church in Blue Point Thursday morning. Escorted by police cruisers, motorcycles and helicopters from numerous agencies, including the NYPD, Westchester County and Nassau County police, the herse carrying Officer Ciano arrived at the church, followed by limos and buses carrying close friends and family.

Click Here to watch video from the scene

A private funeral mass was held for about 40 minutes before Officer Ciano's casket was brought back out of the church, receiving one final salute from thousands of officers lining the streets. Officers traveled from as far away as Maryland to come and pay their respects.

*Click Here for photo gallery

Jose Borbon, 23, of 178 Morton Blvd, was arrested and charged with DWI following Sunday morning's crash.

Reports indicate the officer’s vehicle spun around from the force of the crash. The vehicle came to rest after striking a traffic pole and bursting into flames. Witnesses say the fire started and spread quickly and rescue efforts were impossible.

Borbon was allegedly driving drunk early Sunday morning in Commack when the crash took place. Originally arrested on DWI charges, he may face homicide charges, according to prosecutors.

In court Monday, Borbon’s bail was set at $75,000. Prosecutor John Collins, who had asked the judge to set the bail at $1 million, told Newsday, “He could well be facing a homicide charge at some point in the future.”

Borbon pleaded not guilty to driving while intoxicated during his arraignment at First District Court in Central Islip Monday. The courtroom was packed with uniformed officers.

Court records indicate Borbon has a history of DWI charges. On January 4, Borbon was arrested in Nassau County for DWI, holding more than one license, criminal possession of a weapon, not signaling, driving without a seat belt and failure to obey a traffic device, according to Newsday. Nassau County police say that case is pending. He is set to appear in court in April on those charges.

Suffolk and Nassau police were uncertain whether he had a lawyer. A message left with his family was not immediately returned.

Newsday also reports Borbon held a D-class “conditional” license, which allows drivers to only drive to specific locations such as to and from work. Borbon is believed to be participating in the state’s Drinking Driver rehabilitation program.

New York State Department of Motor Vehicle records obtained by the newspaper indicate Borbon was involved in four separate accidents in 2006 and had his license suspended in 2007.

“Our thoughts and prayers go out to the family of the officer killed in this terrible crash,” said Suffolk County Executive Steve Levy. “This officer made the ultimate sacrifice protecting and serving the people of Suffolk County.”

“The Suffolk County Police Department is mourning the loss of one of our own,” said Suffolk County Police Commissioner Richard Dormer. “It’s a sad reminder of the dangers police officers face each and every day.”

Monday, March 2, 2009

Radio Legend Paul Harvey Dies at 90

By Gerry Smith and Phil Rosenthal
Chicago Tribune

CHICAGO (MCT) - Paul Harvey, a Chicago radio man whose melodious voice and hearty "Hello America" were cherished by millions for more than 57 years on national broadcasts that were an entrancing mix of news, storytelling and gently persuasive salesmanship, died Saturday. He was 90.

Called "the voice of Middle America," and "the voice of the Silent Majority" by the media for his flag-waving conservatism and championing of traditional values, Harvey died surrounded by family at a Phoenix hospital, according to an ABC Radio Networks spokesman. The cause of death was not immediately available.

"Paul Harvey was the most listened-to man in the history of radio," said Bruce DuMont, president of the Museum of Broadcast Communications and host of the nationally syndicated radio program "Beyond the Beltway." "There is no one who will ever come close to him."

Paul Harvey Jr., who began writing his father's show, "The Rest of the Story," after he was hit by a car in 1976, offered condolences to those who loved to listen, even amid his own loss.

"My father and mother created from thin air what one day became radio and television news. So in the past year, an industry has lost its godparents and today millions have lost a friend," he said in a statement.

The show reached an estimated 24 million listeners daily on more than 1,200 radio stations nationally and 400 Armed Forces Radio stations around the world, according to his web site, http://www.paulharvey.com/.

In Chicago, Harvey was heard on WGN 720-AM, but his local ties ran deeper.

Returning to civilian life after a three-month stint in the Army, Harvey moved to the radio big-time in Chicago.

While broadcasting the news at WENR-AM in Chicago's Merchandise Mart in 1951, Harvey became friends with the building's owner, Joseph P. Kennedy, who helped him get on ABC nationally. With a recommendation from the Kennedy-clan patriarch, ABC Radio Network began using him as a substitute newsman. Network affiliates began calling for more Harvey.

His 45-minute routine started at the ungodly hour of 3:30 a.m., when the alarm clock would ring in the Harveys' 22-room home in west suburban River Forest, Ill. It never varied: brush teeth, shower, shave, get dressed, eat oatmeal, get into car and drive downtown. It all took a well-organized 45 minutes or so.

He dressed formally _ in shirt, coat and tie _ as if going to work as the president of a bank.

"It is all about discipline," Harvey told the Tribune in 2002. "I could go to work in my pajamas, but long ago I got some advice from the man who was the engineer for my friend Billy Graham's radio show. He said that one has to prepare in all ways for the show. If you don't do that in every area, you'll lose your edge."

Harvey rejected numerous offers to move his show to the East Coast so he could "stay in touch with his listeners and the American people," DuMont said.

Coming of professional age in the late 1930s and '40s, a time when broadcasters such as Lowell Thomas and Gabriel Heatter were household names, Harvey continued to flourish in the era of Howard Stern and Rush Limbaugh.

Listeners were greeted by Harvey's trademark telegraphic delivery punctuated by his patented pauses:

"Hello, Americans!" he'd boom into the microphone in his studio high above Michigan Avenue, "This is Paul Harvey! (pause) Stand by for news!"

The "Paul Harvey News and Comment" broadcasts _ five minutes in the morning and 15 minutes at midday six days a week _ were consistently ranked first and second in the nation among network radio shows.

His five-minute "The Rest of the Story" broadcasts featured Harvey telling historical vignettes with surprise endings, such as the 13-year-old boy who receives a cash gift from Franklin Roosevelt and turns out to be Fidel Castro. Or the one about the famous trial lawyer who never finished law school (Clarence Darrow). He'd end each broadcast with his signature: "Paul Harvey. (long pause) Good day!"

Harvey's various broadcasts reached an estimated 24 million listeners daily, by some accounts.

"He certainly was among the last great radio commentators," Michael C. Keith, communications professor at Boston College and author of "The Broadcast Century," told The Los Angeles Times in 2001.

Part of Harvey's enduring appeal, Keith said, was his writing style, "a kind of down-home flavor yet sophisticated quality. It grabs you and holds on to you.

"His delivery was always reminiscent of the great broadcasters of the past, which made him a unique sound on contemporary radio. But he was always relevant to the present. Paul Harvey was never out of fashion. Once he came on the air, he was just irresistible. He really had you from the moment he said, 'Page One!' "

He was born Paul Harvey Aurandt in Tulsa, Okla., on Sept. 4, 1918. His father was a Tulsa police officer who was killed in the line of duty when Harvey was 3, and Harvey's mother raised him and his sister. (He dropped his last name for professional reasons in the 1940s. "Ethnic names were not very popular," he once explained. Besides, "no one could spell it.")

Growing up in the 1920s, Harvey developed an early infatuation with the new medium of radio, picking up stations from a homemade cigar-box crystal set.

A champion orator in high school, he was encouraged by his English teacher-coach to go into broadcasting. She went so far as to escort her prized 14-year-old student down to Tulsa radio station KVOO where she told station managers, "This boy should be on the radio."

Beginning as an unpaid gofer at a Tulsa radio station in 1933, Harvey worked his way up the radio ladder and soon began filling in at the microphone, reading spot announcements, the news and even playing his guitar on the air.

By the time he was taking speech and English classes at the University of Tulsa, he had worked his way up to a job as a staff announcer at KVOO. Jobs at other small radio stations in Abilene, Kan., and Oklahoma City followed.

While working as news and special events director at a radio station in St. Louis, Harvey met Lynne Cooper, a student teacher from a socially prominent St. Louis family who read school news announcements at the station.

Instantly smitten with the young woman he nicknamed "Angel" the day he met her, Harvey later asked her to dinner. On the night of their first date, he proposed as they sat in her parked car. They married in June 1940. The couple later kept the restored car _ a white Nash LaFayette _ parked in a specially built garage on their 260-acre ranch in Missouri.

"Since the first day of our marriage, we've worked side by side," Harvey told the Tribune. "We are so used to it, and I think that if we had not worked so closely the marriage would not have survived. There has never been the opportunity for neglect."

Lynne Harvey remained her husband's closest professional collaborator until she died in May 2008.

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She served as president of Paulynne Productions Ltd., general manager of "Paul Harvey News and Comment," and executive producer of "Paul Harvey Comments" on television. She also edited "You Said It, Paul Harvey," a collection of broadcasts published by the family company, as well as two "The Rest of the Story" books: compilations of Harvey's historical-vignette broadcasts, which began in 1976 and which were primarily written by the couple's only child, Paul Jr., a former concert pianist.

"Even after the passing of his loving wife Angel in May 2008, Paul would not slip quietly into retirement as he continued to take the microphone and reach out to his audience. We will miss our dear friend tremendously and are grateful for the many years we were so fortunate to have known him, Our thoughts and prayers are now with his son Paul Jr. and the rest of the Harvey family," said Jim Robinson president, ABC Radio Networks.

While working as program director at radio station in Kalamazoo, Mich., from 1941 to 1943, Harvey served as the Office of War Information's news director for Michigan and Indiana. That was followed by a three-month stint in the Army, which resulted in a medical discharge in early 1944 after he cut his heel on an infantry obstacle course.

Harvey's typical broadcast included human interest stories he loved to tell in order to satisfy the public's "hunger for a little niceness."

Stories such as the woman in Sheboygan, Wis. who was saved from a knife-wielding assailant: "The rescuer?" Harvey asked rhetorically. "Well, the rescuer is a gutsy woman who just happened to be passing by. And she says if I won't tell her name, it's all right to tell her age. (pause) Eighty."

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Dumont said Harvey had a litmus test for all his stories: Would Aunt Betty care about this? He thought about the interest level of his real Aunt Betty to get away from "highfaultin" foreign affairs discussions to discuss "meat and potato" issues like health care, Dumont said.

A Harvey broadcast from the late 1980s included these items:

"Spec-tac-u-lar liftoff from Cape Canaveral this morning, into an azure sky." Harvey said, describing a rocket launch. Then it was on to "New York City. Last year. 8,064 people bitten by dogs. 1,587 people bitten (pause) by people." And "fashion-wise, oh-my-goodness, Paris designers showing things for men for next spring . . . include silky suits and trousers and flashy shirts . . . and designer Jean-Paul Gaultier has caused a fuss by including in his display a few skirts (pause) for men!"

Harvey said his trademark pauses were originally developed as "a lazy broadcaster's way of waiting for the second hand to reach the top of the clock." But they quickly became part of his on-air vocal style.

"I've always felt the pregnant pause is more useful for emphasis than shouting, but it can't be done deliberately. It has to just happen," he said. Harvey liked to joke that ABC radio executives threatened to compile all of that dead-air time and sell ads to fill it.

"I remembering being transfixed by the baritone and those long pregnant pauses _ the pauses that you could drive a truck through ... From a professional standpoint, one of the things that radio broadcasters are taught from day one in the profession, is that dead air is a big no-on and it's only after years and years in the field that you realize that silence is your most power tool (and) he did it better than anyone," said Steve Edwards, acting program direction at Chicago Public Radio who remembers listening in the back seat of his parents' station wagon.

"He was one of the voices, among several, that captivated my imagination, that made me spellbound by the power of radio," said Edwards, 38, and former host of Eight Forty-Eight.

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MSNBC's Keith Olbermann, at one time a regular fill-in for Harvey, said that Harvey's program was one of the models and inspirations for his "Countdown" show, with its eclectic mix of the important and merely interesting, serious and funny, perspective and punch.

Known for his staunch conservatism _ he called it "political fundamentalism" _ Harvey supported McCarthyism in the 1950s. During the turbulent 1960s, Harvey echoed the sentiments of many older Americans by saying that he felt like "a displaced person" in his own country.

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But in 1970, Harvey shocked many of his listeners with his most famous broadcast. In the wake of Richard Nixon's expansion of the Vietnam War into Cambodia, Harvey said, "Mr. President, I love you. But you're wrong."

Before Rush Limbaugh and George Will became household conservative commentators, there was Paul Harvey, DuMont said.

"From a political standpoint, he was in the vanguard of conservative political thought," DuMont said. "Barry Goldwater used to listen to Paul Harvey. That's the real power of the guy."

Harvey heard plenty of criticism and praise and assessment, but preferred to stay away from the whole issue.

"What makes Paul Harvey tick? That question is better asked of the listeners," he told the Chicago Tribune. "If I thought too much about it, it might be self-defeating." Instead, he went about his business with that buoyant optimism that characterized his broadcasts and his life.

Harvey's about-face, which he later acknowledged "was shattering to my old American Legionnaire friends," triggered a flood of some 24,000 letters and thousands of phone calls from outraged listeners.

Harvey's son, who reportedly had a medical deferment that kept him out of the draft but who publicly declared himself a conscientious objector, was said to have influenced his father's view of the war, as did, some said, Harvey's wife.

But Harvey's dovish stance was not new. As early as October 1966, he had come out in favor of pulling out of the "winless war" that was being waged in behalf of "an unworthy government" in South Vietnam.

And while he favored the death penalty and railed against growing taxes, welfare cheats and forced busing, Harvey would again veer to the left by supporting the Equal Rights Amendment and abortion rights and criticizing the Christian right for attempting to impose their views on others.

"I have never pretended to objectivity," Harvey told the American Journalism Review in 1998. "I have a strong point of view, and I share it with my listeners. I have no illusions of changing the world, but to the extent I can, I'd like to shelter your and my little corner of it."

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In addition to his radio broadcasts, numerous books and TV commentaries, Harvey wrote a thrice-weekly column that was syndicated in 300 newspapers and he received up to $30,000 for speeches.

He gave up many of the extracurricular activities in his later years but not radio.

Harvey, who also read his own commercials over the air, has been credited with coining words such as "guestimate," "trendency," and "snoopervision."

While he made his living with words, retirement wasn't in his vocabulary. In 2000, at age 82, he signed a reported $100 million contract that would have kept him on the air for 10 more years.

Only a virus that settled in his vocal cords in mid-2001 kept him away from the microphone. His three-month absence ended with a still-hoarse but clearly happy-to-be-back Harvey breaking into song at the end of his return broadcast: "It's been a long winter without you . . . "

Simply put, Harvey preferred a life "sitting at that typewriter painting pictures" _ and then reading those "pictures" over the air.

As he once said, "I'm just a professional parade watcher who can't wait to get to the curbside."

In 2005, Harvey received a Presidential Medal of Freedom, America's highest civil award, in a White House ceremony.

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(Dennis McLellan of the Los Angeles Times and Chicago Tribune reporters Mary Owen, Rick Kogan, Trevor Jensen contributed to this report.)

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© 2009, Chicago Tribune.

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